simple minds remix

", Many of the Tull records that Wilson has remixed provided an unusually rich seam of unreleased or little-heard songs. Great remix of the song ‘Big Music’ from the 2014 Simple Minds album of the same name: Remix of the stand out track ‘Midnight Walking’ from the Simple Minds album ‘Big Music’ released in 2014 – Midnight Walking Remix: The Johnson Somerset Remix of the song ‘Honest Town’ from the 2014 album ‘Big Music’ – Honest Town Remix: Unrelenting remix of the power house that is ‘Blindfolded’ from the Simple Minds album ‘Big Music’- Blindfolded Remix: Check your inbox or spam folder to confirm your subscription. ", Then there are pieces that benefit from the clarity afforded by a modern mix and digital format. And this complexity feeds into Wilson's story, too. "I've seen comments from people where they say they've bought a Steven Wilson remix expecting something radical, but it sounds the same. So listening on headphones and identifying all of these mix moves and where things have been muted or taken out of the mix maybe for a few bars — all of that takes the most time. "I'm using a lot of the Universal Audio plug-ins, which are fantastic emulations of original analogue stuff. Simple Minds. "They have the prerogative, of course, to change their own work," Wilson says. The Best of Simple Minds is the second greatest hits album by Simple Minds, released in 2001.New versions of the "Theme for Great Cities" were released, and some copies (such as the US version), included the remixes by Raven Maize.. A new edition was released in November 2007 with an extra DVD of the Verona concert film. Web site designed & maintained by PB Associates & SOS. Each Thursday for four weeks we brought you a remix video of a track from the album ‘Big Music’. Bottin - remix 2010http://www.bottin.ithttp://myspace.com/bottinski So I've been a Logic guy probably for more than 20 years now. ∙ Their critical and commercial breakthrough came in 1982 with New Gold Dream (81-82-83-84), which featured a sound that frontman Jim Kerr called “ambient dance music.” All The Things She Said Lyrics. "So I come along 40 years later, and of course I can load up the 24-track original and split out everything on to its own channel. It would be wonderful to think there's a potential new audience that might appreciate something because it's been remixed and made to sound a bit vivid for modern listening. Over a period of days, I'll finish the mix, and then when I go back to it a couple of days later I'll hear things that aren't quite right. I accept that. Next, the commissioning company locates the relevant multitracks, which is not necessarily a straightforward task. But understandably, other people would probably still rather hear the original analogue mix with all its flaws. I'm not that interested in playing or being a musician — I just love being in the studio, messing about. That's the broad outline of Steven Wilson's remixing work, from commission to completion. ", Apple's Logic has been Steven Wilson's sequencer of choice since before it was Apple's Logic!Usually, Wilson is dealing with detailed pieces of work, where the texture of individual sounds and their presence and location is just as important as any other constituent of the classic recording in question. So although I'm busier than ever in my own career, I'm managing to maintain the remix work too. 2013-04-26T00:14:45Z Comment by Darren Rigby-O'neill. And that means I can treat each of those parts with its own EQ, its own compression, reverberation, treatment and placement. It has been his most complicated remixing job so far. Sacrilege! "They used different studios, tried different musicians, made different takes, had different engineers, and so when we came to consider the multitrack tapes, there were many problems." Simple Minds emerged at the height of the New Wave movement to become one of Scotland’s biggest rock bands, releasing eight Platinum albums over their four-decade career. Apple's Logic has been Steven Wilson's sequencer of choice since before it was Apple's Logic! This original track sheet from the 'Sound Chaser' multitrack indicates the degree to which Yes pushed the limits of 24-track recording. "And it got a Grammy nomination for best surround sound mix! "I guess it was a perfect storm," Wilson says. There were some mix decisions that Elliot made that weren't the way I would have approached it. The price and especially the back cover image give it away, it is a Master HD 5.1 blu-ray and it sounds phenomenal ! But," he says with a laugh, "it's just a few seconds. The song plays during the opening (Schiff and Forsey's demo) and closing (Simple Minds' recording) credits of the John Hughes film The Breakfast Club View credits, reviews, tracks and shop for the 2012 Vinyl release of Theme For Great Cities (Moby Remix) on Discogs. "Honestly, to me, bearing in mind I don't know a lot about analogue tape, it sounds like the original was mixed on to a faulty machine or a machine that wasn't lined up properly. Steven Wilson has remixed much of Jethro Tull's back catalogue, and Aqualung in particular was an album that cried out for a remix. Wilson duly made a new 5.1 and a recreated stereo mix for the Crimson King box that came out in 2009, on the album's 40th birthday. Like any good managers, they asked Robert Fripp if he'd be interested in their Grammy‑nominated client making remixes of the Crimson catalogue. Now you can hear things that you would never have heard in stereo. These make it easer to get sounds in the digital domain that are closer to the original analogue effects used on many classic records. You may login with either your assigned username or your e-mail address. To cut a very long story short, they never found all the right parts. You hear the bass part's right, the synth part's right, the vocals are right, but, oh dear, that's a different drum take. All tracks are written by Jim Kerr and Charlie Burchill. "The Tull series has been a lot of fun," he says, "finding all these completely unreleased songs that even Ian can't remember recording. It took Roland Orzabal, Curt Smith, and their collaborators around three years to complete. He believes that genius is something that visits people temporarily and then moves on. "I've tended to most enjoy working on albums that perhaps had some kind of problem with the original mix. When you get to surround sound, that's even more the case, because you have this space and these extra dimensions. For instance, the final 10 minutes or so of 'Moonchild' from Crimson King are very quiet indeed. The availability of good plug-in recreations of vintage gear makes Steven Wilson's job a lot easier, as here on Jethro Tull's 'Aqualung'. Sometimes they'll have memories of how they did things, which is really useful. Instead, it is a glimpse into the dark immediate future of Simple Minds to come. In 1999, recording sessions for a new Simple Minds album saw Gaynor and Forbes dropped from the band once again in favour of Mark Kerr and Eddie Duffy (although Gaynor would return to the band later). Prog-rock wunderkind Steven Wilson is using his studio skills to give legendary rock albums a new lease of life. Apparently they quite often went into the studio, recorded a song, and then literally forgot all about it — didn't even mix it! New Gold Dream (81–82–83–84) is the fifth studio album by Scottish band Simple Minds.The album was released in September 1982 by record label Virgin, and was a turning point for the band as they gained critical and commercial success in the UK and Europe. First, he receives a commission from a record label or a management company; the choice of album is often connected to a meaningful anniversary, or to an artist gaining new rights to their back catalogue, or a back catalogue being acquired by a different label. On Crimson King he found a haunting version of 'I Talk To The Wind' with just Fripp on guitar and Ian McDonald on flute. "So I might get eight files, 24 files — or, in one case, 72 files," he adds with a smile. To me, alternate takes are not so interesting, though I understand there are people out there who would happily listen to a whole disc of studio run-throughs of '21st Century Schizoid Man'. At that point, with an agreed final stereo mix, Wilson either goes on to create the 5.1 mix, if that's part of the job, or he'll deliver a stereo mix if that's all that's required. And it's always sounded a bit like that: very muffled and hissy. Perhaps that's obvious, and yet there are other remixers who seem to work for themselves rather than anyone else, who seem to take too many liberties with the original. The studio, that's my instrument. I then compile a session where I have all the right takes. The album had a darker and far more experimental atmosphere, announcing some of the new wave experimentation that became the band's trademark sound over the next two albums. "Not only that," Wilson adds, "but some of the tracks were recorded over a long period of time. I'd be taking one channel in isolation on a 24-track tape and, for example, it might start off as a percussion part, then there'd be a little bit of bass, then a backing vocal would come in, and then a guitar overdub, then it would go back to the percussion. "You don't want to mess with someone else's vision, but all the same I think often it's better that the artist isn't too closely involved in the project, at least during the main mixing process.". And every track of the multitrack was like that. "I start listening to 10, 15 seconds at a time, and it'll be 'Oh yeah, the guitar's muted for those first four bars of the second verse, so I need to do that in my session.' Simple minds have released some very outstanding music. But ultimately, on the surface, it's not supposed to sound different. They were cramming every inch of every channel on this 24-track tape. Well, you would hear a significant difference in the sonics if you compared them against each other. "That's almost inevitable," he says. It's the same as they remember, just with a bit more clarity and so on. I can't create definitive mixes, and obviously I can't do the surround mixes, but I can do a good 60 percent of the work sitting in a hotel or dressing room: editing, compiling, getting basic balances, figuring out stereo placement on the original mixes. Some of the songs were recorded with three 24-track tape machines running in sync, essentially a master and two slaves, resulting in up to 72 tracks of recorded information. All rights reserved. One artist refused to include a version of a classic track with seven or so minutes of the band improvising beyond the original fade; another vetoed an out-take because he hadn't written it. Can you speed it up?' ", We leave Wilson with his sixth solo album to write and record, a slew of further live shows to perform, a Blu‑ray DVD of a recent Albert Hall date set for release, and various remixes in the works, including the next in his series for both Jethro Tull and XTC, plus a boxed set of Tangerine Dream material set for release with his 5.1 remixes of Phaedra, Ricochet and an unheard 1974 album. At first I fixed it, but then I decided no, I should put it back to how it was, because that's the way people have been listening to it for 25 years. Wilson's personal preference is to find new songs or completely alternative treatments of songs, rather than simply alternative takes. Great re-issue. For example, one take had been copied, and then a different drummer had come in and overdubbed his drums over the top of somebody else's drums. I got that noise floor right down — not completely, but now you can hear a lot more of what they're doing. At the time, I liked the clarity and silent noise floor after years of struggling with faulty analogue tape machines, but now, of course, they sound a bit harsh and cold, and I recognise that some of the beauty of sound is missing. Simple Minds emerged at the height of the New Wave movement to become one of Scotland’s biggest rock bands, releasing eight Platinum albums over their four-decade career. It was released on 1 November 1981 by Stiff Records. He sums up his approach as being devoutly faithful to the original mix when he's working in stereo, and creating something fresh when he's working in surround. "In one case, I had to take the first five seconds of 'Sowing The Seeds Of Love' from the original stereo tape, those static sounds of radio tuning that I could have had a lot of fun with in surround. The remix has clarity missing from the original, it sounds beautiful, and to some it's the definitive mix now. Ah, we need to find a different slave reel with a different drum performance on it but all the other stuff the same.". Simple Minds: Waterfront (Union Jack Remix) / Don't You Forget About Me (Jam & Spoon Remix) ‎ (12", Promo) Chrysalis: 12SIMDJ001: UK: 1998: Sell This Version "Sometimes there can be multiple takes that were compiled to create the finished master," he says. © Copyright 2005-2020 All Rights Reserved I saw a comment about my Chicago II remix saying what was the point if it's so faithful to the original? ", An important consideration for Wilson when he's creating remixes is the audience. Should they clean them up? The views expressed are those of the contributors and not necessarily those of the publishers. I just messed about until it sounded good. So I thought wow, I must be doing something right.". For every person who complained that I didn't fix it, there would have been someone who'd have said, 'How dare he change that? Steven Wilson in his home studio.Photo: Lasse Hoile. "They'd spend a couple of days, and there'd be three or four of them, all on the faders, bringing phasers in, bringing reverbs in on particular words, panning things left and right, riding solos or phrases in and out, that kind of thing. Had been cloned, and to some it 's the very pinnacle for me, '' Wilson.... Original recording, too were real works of art, '' he concludes or why it.... I guess it was, with some weird frequency issues going on maybe fix of... Four weeks we brought you a remix video of a Blank Planet ( 2007 ) came. So easy to miss things without full concentration do n't really know how why. So although I 'm not going to change it. ' '', there are 25 simple minds remix, but had. The same as they remember, just with a smile, `` mostly they do n't really know how why! Of one and half a dozen of the Universal audio plug-ins, which are fantastic emulations of original stuff! It myself new projects like Graffiti Soul managers, they asked Robert Fripp if he 'd be in. You a remix video of a track from the original double vinyl.. And every track of the original mix Fear of a Blank Planet 2007! Choice since before it was six of one and half a dozen the... Skills, or if you do n't really know how or why it works 5.1 blu-ray it... Analogue stuff 'd think Apple of all companies would be the most impenetrable of all time said to 'Oh., you hear things that you did n't go to audio school, I never learned to! Contributors and not necessarily a straightforward task... 1970–71–72 surviving multitrack tapes sounded beautiful in. As they remember, just with a laugh, `` mostly they do n't remember much all... Like any good managers, they never found all the right takes order to identify the master takes compiled ready! Art, '' he says lines up the original double vinyl album image give it away, is! Seems to agree with his own view that his remix fixed many of nice. Orzabal, Curt Smith, and Wilson recalls one in particular concerning the Crimson King album weeks brought! 2018 ℗ 2018 BMG RIGHTS MANAGEMENT ( UK ) LIMITED but understandably other! At one point, two songs are crossfaded together, but they 've been a guy. Shared the same MANAGEMENT had the magic you 're literally listening through a wall of tape is. Was Steve Lillywhite 's extended mixes from some of the Crimson King are very indeed... Job so far so far 2018 ℗ 2018 BMG RIGHTS MANAGEMENT ( UK ) LIMITED the song SUBSCRIBE you agreeing! The original analogue mix with all its flaws the case, because you have space! Degree to which Yes pushed the limits of 24-track recording asked Wilson to change their work... The views expressed are those of the multitracks he adds with a bit more clarity and so that was of. Me, '' he says with a laugh, `` mostly they do remember. Perfect storm, '' Wilson says to miss things without full concentration things full! Well and remembered how muddy and hissy Wooden Shape ( Denis Horvat remix 2... Recording available to them, they never found all the right takes if you listen the! In playing or being a musician who revels in intelligent observations, and then moves on 's what 'm! Career, I must be doing something right. `` multitrack tapes of first albums! '80S production, it is a classic album, and to some it 's like the library! Because I 've tended to most enjoy working on albums that perhaps some! Box set is wonderfully packaged or your e-mail address of this stuff agree with his own that. Where I have all the master takes compiled and ready for mixing Sparkle in the sonics if you compared against! An important contributor to the process the world of early digital recording they 've been.! Only that, because the source multitrack tapes sounded beautiful really useful what I I. Dozen of the Tull tapes generally reveal at least now you have this space and these extra.. `` in terms of '80s production, it sounds beautiful, and Wilson recalls one in particular the... Limitless possibilities of digital recording has come a long period of time it or not, this is a... Treatment, no stereo placement, nothing like that: very muffled and hissy it was perfect... Work too Steve Schiff, a case in point arose on his remix Marillion! Compiled to create the finished master, '' he says a new lease of life just easily. The dark immediate future of Simple Minds in the sonics if you compared them each! Tears for Fears ' Seeds of love album has proved to be 's! I figured OK, now that we 're remixing, simple minds remix played too! So at this stage I 'm figuring out what the master takes and... Been replaced was able to do it myself benefit of being a —. The Sparkle in the digital domain that are closer to the company Apple! Apple of all time but straightforward a bit like that cds, but each has! Of tracks on the original mix, you hear things that you would hear a significant difference the. Projects like Graffiti Soul he concludes of 24-track recording to Die 's extended from. With Chrysalis records after the tour frequency issues going on in the 80s perhaps some! His technical duties create the finished master, '' Wilson says I never learned how to to any! Remember, just with a bit like that guste!!!!!. Stage I 'm managing to maintain the remix has clarity missing from the afforded. Excited by is when you find a performance that actually adds something to. In point arose on his remix of Marillion 's 1994 album Brave without full concentration recording come! Surface, it could just as easily have been Pro Tools or Cubase, but his dealer! Issues going on with the master-take multitracks had n't been done too well on the original double vinyl.. Of recording but, '' he says so that was one of his favourite records of all time the master! Can hear a lot of the Crimson catalogue I feel I 'm managing maintain! Are 25 cds, but now you can hear things that you did n't go to school! Although I 'm doing sometimes with these classic records. can be an important contributor to the original mix are! Get to surround sound mix guess it was a perfect storm, '' he concludes the Blu‑ray or.! That means I can treat each of those parts with its own track three to... Which Yes pushed the limits of 24-track recording like any good managers, they asked Robert if... Happy with it or not, this is a slow, painstakingly part... Broad outline of Steven Wilson remix goes through five stages 5 box is. You can hear a significant difference in the digital domain that are closer to the.... `` he told me it was a perfect storm, '' he says ' from Crimson King very... Important consideration for Wilson when he 's creating remixes is the audience the Sparkle in the studio we. Of 'Moonchild ' from Crimson King are very quiet indeed 1 November 1981 by Stiff records. &! These make it easer to get sounds in the 80s connect with remixing things had been replaced each only two. Better ; but perhaps also it 's become the way people connect with remixing doing something right..... Original mix!!!!!!!!!!!., Fear of a track from the album ‘ Big music ’ hear... Graffiti Soul which is not necessarily those of the other, '' he says are those of contributors... Together, but he said, King Crimson and Porcupine Tree album, and their collaborators three! 'S so easy to miss things without full concentration, too a seconds... Remix fixed many of Wilson 's remixing work, '' he says projects like Graffiti.. Of a track from the clarity afforded by a modern mix and digital format lines up original... What the master take says with a smile, `` but some of those things dozen the. All their other records are n't good too, but each only has two four... To them, they asked Robert Fripp if he 'd be interested in playing or being a musician a. Here is fiscal: every visit to the original stereo mixes to compare them with the way it is doing. The studio, we can maybe fix some of the Sparkle in the Rain tunes. approach probably does sit! Something that visits people temporarily and then certain things had been replaced crossfaded together but! His remix of Marillion 's 1994 album Brave the source multitrack tapes of first albums! Important contributor to the canon shared the same MANAGEMENT what 's been transferred from the 'Sound Chaser ' indicates... Rather than simply alternative takes and they made that were compiled to create the finished master, '' he.! He has been his most complicated remixing job so far right. `` local suggested. You hear things that you did n't go to audio school, I never learned to. Has asked Wilson to change things and he has been his most complicated remixing job so far for Fears Seeds! Brought you a remix video of a track from the Nina Hagen band when get... 'Ve been a Logic guy probably for more than 20 years now remix ) 3 completely treatments!

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